likeafieldmouse:

Ryan Hancock

Artist’s statement: 

“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”

by likeafieldmouse

peril:

Hope (1886), oil on canvas, Tate Britain, London | artwork by George Frederic Watts and assistants

peril:

Hope (1886), oil on canvas, Tate Britain, London | artwork by George Frederic Watts and assistants

by peril

by shoulderblades

by lucyraven

by pinterest.com

arquerio:

untitled by Öykü Öge on Flickr.

arquerio:

untitled by Öykü Öge on Flickr.

by arquerio

nkeka:

(by anan.)

nkeka:

(by anan.)

by nkeka

by matthewfeyldphoto

by matthewfeyldphoto

by matthewfeyldphoto

fuks:

best thing I’ve seen in a while

fuks:

best thing I’ve seen in a while

by fuks

volume-control:

Panorama Hotel Ski Resort in Štrbské Pleso, Czechoslovakia, 1970
(via: elcontexto)

volume-control:

Panorama Hotel Ski Resort in Štrbské Pleso, Czechoslovakia, 1970

(via: elcontexto)

by architectureofdoom

by loverofbeauty

by thisiscolossal.com

by coldc0re

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